WRITER-DIRECTOR

Bettina is a Venezuelan screenwriter and filmmaker. Having spent her childhood moving across borders, first to Mexico then to the United States, Bettina has always been fascinated by reality as a subjective construct. Her work often centers on overlooked or forgotten characters who challenge the limits the world imposes on them.

After graduating from the University of Southern California, she worked with and mentored under director Michael Gracey (“The Greatest Showman") before serving as a co-writer on Netflix’s animated film “Ladybug & Cat Noir: The Movie.” Most recently, Bettina showran Audible’s Ambie-Award-winning fiction podcast “PREVIA: A Tech Heist.”

CINEMATOGRAPHER

Hailing from Medellín, Colombia, Camilo is a sought-after cinematographer, from feature films like UNIDENTIFIED OBJECTS (2022) and THE CITY OF WILD BEASTS (2021), to commercials and music videos, including work for Bad Bunny, Daddy Yankee, J. Balvin, Maluma, Christina Aguilera, and more.

His awe-inspiring visuals, rendered with sublime composition and light, transport viewers into a realm of grandeur and emotion. From bustling cityscapes and rolling hills, to towering glaciers and historic destinations, Camilo captures each image with an eye for extraordinary beauty, adding depth and sensitivity to each story he tells.

PRODUCER

Marilyne is a queer writer, director, and producer hailing from rural Quebec. With an academic background in theatre and performance arts from UQAM in Montreal, Marilyne's studies focused on the intriguing intersections of physicality, performance, and sexuality.

Marilyne brings a decade of diverse experience to the table, having served as a dramaturg for the play "Kink" (Montreal, 2018), producer for "The Deep" Season 4 (2022), "Ladybug and Cat Noir: The Movie" (2023), and "Everything Else" (2023). Most recently, she took the helm as director for "Heirloom" (2023).

CO-PRODUCER

Ana Katalina Carmona graduated as a journalist from the University of Antioquia and is one of the faces of the flourishing of the audiovisual industry in Medellín, Colombia.

With more than six years of experience in production, she has participated in various capacities on the films Niña errante by Rubén Mendoza, Sastre by César Heredia, and Cantos que inundan el río by Germán Arango. She has also obtained several scholarships and recognition for her own work, among them the breakthrough short film award at the Toulouse Festival for Los Enemigos.